On the road with The Jerks — Part 1

The Jerks, Dixon Illinois 1981

For almost a year in the early 80s I was sort of a roadie and light technician for The Jerks, a rock band in the Illinois Valley.

How I ended up working for a band that had briefly tasted fame (as another band) in the 70s cannot be told without first looking back at an exciting time in a local music scene. At it’s most basic and rawest grassroots level, it is what rock and roll or any kind of music that is played by musicians day in and day out in small clubs and bars is all about.

The Jerks was comprised of three former members of the legendary Illinois Valley band Buckacre that in the 70s had recorded two albums under the guidance of Glyns John and had opened for such performers and bands like Jimmy Buffet and The Outlaws. When Buckacre broke up in the late 70s, two of the band’s founding members guitarist Al Thacker and drummer Dick Verucchi formed a new, hipper band in tune with the resurgence of live music in local bars.

For a brief period in the 80s, The Jerks, which played mostly New Wave covers and classic 60s rock were one of the Illinois Valley’s most popular bands drawing enormous crowds wherever they played. Originally called “Hamburger and the Works” when some people thought the “new wave” music covers they played made them sound like jerks, the name stuck.

The first time I saw the band play at Friday’s Saloon in Peru, Illinois was one cold, wet autumn night in late October 1980.

I was home for the weekend from Southern Illinois University (SIU at Carbondale) and had heard about this band that was quite popular in the Illinois Valley. To be sure, a few days before I came home there was a feature article about The Jerks and other bands in The Daily News Tribune, which among other things described a “resurgence in rock and roll.” According to this article many local bands were playing the local bar circuit again after disco started to die out in the late 70s. The Jerks, along with other bands like Longshot (which was comprised of the other former members of Buckacre) were generating a lot of excitement in the local bar scene in the Illinois Valley.

That weekend I went down to Water Street (appropriately named Water Street because when the Illinois River crested whenever there was a lot of rain or flooding, the street was usually under a foot or two of water) in Peru where one of these bars, Friday’s Saloon was located. It was located in a cluster of buildings at the far end of the street, (past a few factories and other industrial complexes) which also included the Delta Queen and The Red Door Inn, a popular Illinois Valley eatery (now since closed). Rumored to have been a “speakeasy” during Prohibition, Friday’s had become a popular hangout for younger crowds (many who could get in without having their ID’s checked) and was the “official home” of The Jerks.

I guess that’s what made the place special, located on Water Street along the Illinois River, past all these factories. If you were to stand in the street (which at one time had been a brick street) and look east you could see these factories rising up underneath the Peru Bridge (U.S. Route 51, a major North-South artery—before U.S. 39 was completed—ran across the bridge). At night, and especially when it was raining there was an almost surreal aura to the place. This was a working-class neighborhood and I suppose it was only fitting that the three bars located on Water Street—Friday’s, the Delta Queen, and Murphy’s Bar (which had been a grocery store years before) rocked on the weekends.

Whenever The Jerks or Longshot played Friday’s it was an exciting time to be down on Water Street. During the heyday of this “resurgence of live music” in the Illinois Valley, people would be lined up outside waiting to get in. Inside, it was just wall-to-wall people. You had to fight your way through the crowd gathered around the bar to an adjoining room where the bands played. When it got too crowded inside, many people walked across the street to the Whistle Stop, a passenger train car which had been converted into a bar and waited until the crowds thinned out.

I got to Friday’s too early that Friday night in October; The Jerks had not even taken to the stage yet. The bar was not too crowded; there were only a few people sitting at some tables near the stage. One person in particular stood out. He was standing near the entrance to this second room. I didn’t know it at the time, but the man was Bruce Kowalski, a.k.a. Bob Noxious. He had his own radio program “Alternative Opposites” at a local radio station and was known for doing a wicked rendition of “Gloria” with The Jerks. Later, when we got to know each other, we would end up hanging out a lot.

I left early that night before The Jerks even played. However, I was back down at Friday’s the next night, and this time I got there later when the band was playing. For the rest of my life, I will always look back on that night as when I re-discovered rock and roll. I guess it is true what they (whoever they may be) say when the cosmic tumblers click and everything falls into place or maybe it was even an epiphany of sorts because after that night, my life was never the same.

Actually, I had already been really getting into the college music scene at SIU since I started attending classes there in the summer of 1980. SIU was always considered by many to be one of the nation’s top, albeit “unofficial” party schools and when it came to some of the musical acts which played there, SIU was bar none. There were always some big-name bands playing either at the university or in some of the bars. That autumn alone, The Pretenders, Elton John, Jeff Beck, The English Beat, and Off Broadway had played on campus; concerts by Kansas, Ultravox, and Polyrock (playing at the legendary bar T.J. McFly’s) would follow in the weeks to come.

I had met some friends for dinner at a Chinese restaurant in La Salle before heading down to Friday’s. With a couple of Mai Tai’s under my belt and a few bottles of beer I was primed for the night and ready for about anything. By the time we got there, the place was packed and jumping. While my friends tried to get served at the bar, I just followed the music, weaving my way through the crowd.

Inside the adjoining room the air was heavy with smoke and perfume. A large group of people was standing in the back while others were sitting at tables on either side of the room. The dance floor was crowded. On a small stage at the front of the room The Jerks were playing a cover of a new wave hit by the English band The Vapors. The band was good, but it was the energy of the crowd, which really struck me as I stood there in the back and listened to the music and felt all this energy and excitement.

It was then that I noticed one of my old friends from high school, Chris Vasquez who I hadn’t seen in over four years, dancing near the front of the stage. While we were probably not the best of friends when we were in high school (we had only hung out just a few times) we were in a few classes together. Later I would discover that we had once hung out when we were in elementary school.

Suffice to say that night I ran into Chris at Friday’s was the beginning of a very strong friendship that has lasted to this day. We have had our differences now and then, but I can honestly say that Chris has always been able to count on me over the years, even when some of his other “best” friends have turned their backs on him. Who knows, if I had not gone down to Friday’s that night and bumped into Chris we might not have ever become as close as we have.

Chris had already been a regular at Friday’s and following The Jerks whenever and wherever they played in the Illinois Valley. It was hanging out with Chris that weekend and again in November when I was home for Thanksgiving, which allowed me to become somewhat of a fixture in the music scene. I’ve never fancied myself as a trendsetter or anything, but I am sure that I probably brought a little of that SIU New Wave scene with me when I was back in the Illinois Valley.

Looking back, it was all just a lot of fashion—I was never much of a punk—and I suppose some people would have written me off as some poseur. Throw on some vintage shirt and a skinny tie with a few New Wave pins on a black suit jacket and you were dressed for the evening. Maybe if there were any saving grace it might have been that I was really into the music scene at SIU and a lot of the wildness that went along.

When I came back home again for Christmas, I was out every night The Jerks were playing. I’ll never forget the day before Christmas Eve when the band was playing at Murphy’s. A snowstorm had hit the area and the streets were practically deserted. There was hardly anyone out that night, but with The Jerks playing, Murphy’s was hopping.

As much as I liked Friday’s when The Jerks played there, Murphy’s was actually a better venue for bands. It was just one big room with a real stage in the back. There was plenty of room to dance and the bands that played there sounded better. The problem with bars like Friday’s and Murphy’s though was the owners really didn’t know how to run a bar and take care of the bands that played there. Sure, the bars made a killing at the door and the bar when bands like The Jerks and Longshot played there.

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